I’ve always been mesmerized by how giants like Holdsworth and Zappa would push rack delays to their limits. I designed the Polymoon’s algorithms as a tribute to those sounds while offering an even wider palette of dynamic echoes
Other specifications include:
Super-Modulated multiple tap delay
1200mS real time selectable multiple-tap delay line
Massive multi LFO modulation controls
6 custom tuned LFOs with adjustable waveforms for subtle to aggressive pitch shifting effects
Adjustable Tilt EQ filter in delay feedback
Tempo syncable stereo Barberpole Phaser Multimode stereo Dynamic Flanger w/ feedback
Unique feedback topology
Dimension control for smearing reflections
Selectable quarter or dotted eighth note Tap Tempo
Digitally controlled Analog mix control
Stereo input and output
Switchable input output headroom level for Guitar, Synthesizer or Line levels
Expression pedal control over all parameters simultaneously
Presets available via external 4-Preset switch or MIDI
MIDI in/out over TRS via the EXP jack
External Tap Tempo over TRS
MIDI beat clock synchronization
Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP
Premium Analog Devices JFET input section
Color – white powder coat with fine iridescent flake
Designed and built in Los Angeles, California U.S.A.
Premium quality 24 bit A/D and D/A
32 Bit floating point DSP hardware
Premium low noise Analog signal path throughout
Digitally controlled Analog Dry path for wet/dry mix
Analog Devices JFET input circuitry
Selectable True Bypass (Relay) or Analog Buffered Bypass
150 mA total power consumption
Durable white powder coat with fine iridescent flake
Current draw – <150 mA
Dimensions – 4.25″ wide, 4.5″ long, 2″ tall
For more information about the Meris pedal, please contact us.
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